---

From: Eric_S_Klien@cup.portal.com Subject: SF Script Date: Sun, 26 May 91 12:01:51 PDT Copyright 1991 Charles McGrew and Eric Klien. All Rights Reserved. Final Version SYNOPSIS The story opens with the Enterprise arriving at Gibson's Folly, a planet with a nearby starbase, for engine maintenance. While the Enterprise is being worked on, Data is planning to try to program the holodeck to generate 'dreams' for him. Riker is planning to visit an old Academy buddy who is security chief and meanwhile find out what he can about a hush-hush research project that is going on here that Riker thinks might be interesting. Meanwhile, two high-tech hijackers are planning to steal a ship named Kitakami that the research is being carried out and sell it to the Romulans. The Kitakami is a testbed for a secret Federation attempt to duplicate Borg weaponry. The hijackers have managed to buy or steal security codes to beam themselves aboard and most of the access codes to gain control of her. The Enterprise arrival forces them to act before they are completely ready. Data goes to various crewmembers to find out more information to help with his holodeck dream program. He asks Picard, Worf, Beverly, and Riker what they dream about. Each gives fairly innocuous answers to Data though with flashbacks the audience gets to see the real dreams they're thinking about. Picard's revolves around his striking out at a little-league baseball game that caused him to become the sports-overachiever his brother once complained about; Worf dreams of his parents and his guilt at not dying with them; Beverly dreams of her medical skills failing to save anyone at all in a crisis situation; and Riker dreams of his deep-seeded insecurity about the Command chair. Data programs the holodeck and begins the dream, which becomes Act 3, Scene 2 of "Julius Caesar". Riker is Brutus and Data is Marc Antony, in Antony's great speech to the crowd over Caesar's body. Data sees his fondest wish come true - in his dream he displays anger, sarcasm, grief, etc. - in short, he dreams that his study of Shakespeare results in a successful transition to humanity. Riker manages to convince his Academy buddy, Mike McMurdoc - chief of security at the Starbase, and hence of the research project - to wrangle a tour of the unclassified parts of the ship, in hopes of figuring out what's up on board her. Riker's security clearance (his Borg experience gives him significant clearance clout) is enough to get him on board. As Riker and McMurdoc beam aboard, the hijackers do too, and phaser everyone. The hijackers begin trying to get the Kitakami underway. No one outside the Kitakami notices the unscheduled beaming. Meanwhile, Data has gone to ten-forward to discuss his dream with someone -- anyone. He encounters O'Brien, who brings him up short. O'Brien, it turns out, has extremely bad nightmares and has to use a device to soften his dreams so he can sleep at all. This, by the way, is why O'Brien got shifted from Command track to Technical. Data, who did not consider nightmares in his earlier programming, decides to try a nightmare in his next dream. Data's next 'dream'is two short nightmares -- the first involves his head being attached to the navigation console and his body wandering around looking for it; the second involves Data being steam-powered and clanking about. As the hijackers prepare to get the Kitakami underway, Riker and McMurdoc awaken in the Kitakami's brig. McMurdoc, having programmed the security systems on the Kitakami, manages to break into the main computer via a back door he programmed into the Brig's food-synth console for emergencies. He tries to sabotage the hijackers' progress in hopes that someone will notice they are missing and that the Kitakami has been taken before the ship gets its warp drive going and leaves the Enterprise behind while its warp drive is still down. Data, along with Beverly as an observer tries another dream after altering his program yet again. This time Data's dream is that he has lost his mental capacity -- in the form of his amazing memory for facts. Meanwhile, the Kitakami's seizure has become known, and the Enterprise begins preparing to stop the hijacking. The hijackers, meanwhile, have resolved to use the Borg weapon on the Enterprise, though unbeknownst to them, their efforts are being hindered by McMurdoc. The holodeck's nightmare program - using (it turns out) real events as a template to try and keep up with Data's dream-program parameters, programs a dream bridge, to which Data and Beverly go (but they think it's the real bridge). The dream climaxes with Beverly figuring out that she and Data are actually still on the holodeck, and ending the program. However, Data has gained useful information via the sensor readings on the dream bridge which will be useful later. The hijackers, now desperate, fire the Borg weapon. It fails to hit due to McMurdoc's interference. Data arrives on the Bridge. Having noticed that the Borg weapon is unstable in his dream, he suggests detonating a photon torpedo near the Kitakami to overload it. It works, and with the overload, the Kitakami's other power systems also fail. The Enterprise is able to beam over stun-gas cannisters and knock everyone on board the Kitakami out. We end with Data and Picard discussing events. Riker breaks in and says that the Borg weapon has been found to be too unstable for use in the near future. Data tells Picard that he has analyzed his dreams, and he doesn't like the description of his 'human self' it implies. Picard counters that struggling against such dark sides is what humanity is all about, which seems to satisfy Data. STAR TREK: THE NEXT GENERATION "In Dreams Awake" TEASER EXT. SPACE - THE ENTERPRISE (OPTICAL) The Enterprise flies into orbit around a planet. Also in orbit can be seen drydock facilities. PICARD (V.O.) Captain's personal log, Stardate 45311.4. We have just arrived at Starbase one-seven-three for a warp engine calibration. While at the Starbase, the crew will be taking advantage of recreational facilities on the nearby planet Gibson's Folly. INT. TRANSPORTER ROOM GEORDI, and several ENGINEERING CREWMEN enter. They get on the pads and are beamed to Gibson's Folly. INT. GIBSON'S FOLLY TRANSPORTER ROOM Geordi's party transports in and moves off the pads toward the exits, waving to the transport officer. HUMAN TWO is chatting with someone. We see him look sharply at Geordi and the others; the uniforms worry him. ENGINEERING CREWMAN (to Geordi) I think you'll like this place, sir. It's the toughest bar this side of the Neutral Zone. GEORDI Good, I'll need a little relaxation before I tackle the Enterprise's warp drive tuneup. Human Two hears this and reacts with alarm, though this is unnoticed by Geordi and the others. Human Two, very agitated, walks out of the transporter room in an obvious hurry. INT. DATA'S CABIN Data sits at his console, tapping keys. PICARD (V.O.) Data's curiosity about the effects of dreaming was piqued by our encounter near Tychen's Rift. Therefore he has decided to use the Holodeck to try out a unique program simulation. Although androids do not sleep, and therefore do not dream, Mister Data is attempting to program the ship's computer to allow him to view his simulated dreams. TROI enters. TROI Data, how's your program coming along? DATA Very well, Counselor. I have programmed the computer with various theories of dreaming, and personal information about myself and my analysis of people I know. But I am concerned that I do not have enough personal information for the program to extrapolate simulated dreams. TROI Well, perhaps you can talk to some other people and relate their dream experiences to your program. Data pauses to consider. DATA Thank you, Counselor. I shall do exactly that. He gets up and leaves, Troi follows. PICARD (V.O.) Mister Riker has a keen interest in the Kitakami, a research vessel also here at Gibson's Folly. EXT. SPACE - THE ENTERPRISE AND THE KITAKAMI IN ORBIT AROUND GIBSON'S FOLLY (OPTICAL) PICARD (V.O.) (continuing) He seems to think that the Kitakami is working on some sort of special research and appears determined to find out what it is. He will be visiting with an old friend who is chief of security at the Starbase. From what I know of the Commander's persuasive powers, I pity his friend if he tries to hide anything. INT. RIKER'S QUARTERS On screen is MIKE MCMURDOC, security chief of Starbase 173. RIKER is speaking to him. RIKER C'mon, Mike, just give me a tour of her. McMURDOC Now Will, it's off limits... RIKER A research vessel off limits? C'mon, what's REALLY going on here? You can tell me; I've got clearance. McMURDOC (pauses) Well, I... perhaps we should speak in person. It's kind of complicated, Will. RIKER All right, I'll see you in about an hour. McMURDOC Fine. Do you still play poker? RIKER (coyly) Oh, a little. Why? McMURDOC Me and the boys play now and again. Want to sit in tonight? RIKER Table stakes? McMURDOC Yup. RIKER Excellent! I'll bring my poker face, then. Riker out. McMurdoc's image is cut off. Riker smiles to himself at his joke. INT. HIJACKER'S HIDEOUT HUMAN ONE is tapping keys on a computer console. Human Two enters, agitated. HUMAN TWO The Enterprise! The Enterprise is here! HUMAN ONE (quite calm) I know. She's in for warp tuneup. What of it? HUMAN TWO That might be just a cover. She might be here to stop us. We can't risk it. HUMAN ONE Calm down. If they knew what we were up to, we'd be halfway to a penal colony by now. It's just a coincidence. Doesn't mean a thing. HUMAN TWO (still unconvinced) I don't think... HUMAN ONE (interrupting) I didn't invest six months and all those credits to find out about that Borg research. Six months to get the codes to get past the Kitakami's shields. Six months to find you and to be able to get you up there to help get her engines running - just to give up now. HUMAN TWO But the Enterprise could catch us even if we take the Kitakami. HUMAN ONE Think for a minute, will you? We're going to steal a ship that has the most powerful weapon ever known. If the Enterprise gets in the way, we'll just have to give that weapon a field test. On the Enterprise. The Romulans will pay double - just to know she's been destroyed! Human One smiles nastily. END OF TEASER ACT ONE INT. PICARD'S QUARTERS Picard is seated at his desk. The door chimes. PICARD Come. Data enters. DATA Captain, I wonder if you might be able to help my dream research. PICARD In what way, Commander? DATA I have programmed the computer with all of the available theories concerning dreams and all of my personal information, but I would like some additional information to complete my preparations. PICARD Certainly. What do you want to know? DATA Well, Captain, if you do not consider it too personal, what do you dream about? Picard pauses, thinking. PICARD Hmm... well, it's certainly a very personal question, Data. It's probably one of the most personal questions you could ask me. When a man dreams, these are his most private moments. DATA (slightly puzzled) I see. Data turns to go. PICARD But in my case, I don't mind. DATA (brightly) Oh! Please continue, Captain. PICARD Most often I dream of things that were important in my youth. DATA Could you be more specific? PICARD Oh, of Academy life... FADE TO: Young people in Starfleet uniforms at Starfleet Academy, with dynabooks in hand, laughing and talking. FADE TO: A nine-year-old Picard in a little-league baseball uniform labeled "Normandie", looking glumly from the dugout. PICARD (V.O.) And boyhood crises... you know, nothing seems quite so intense in our lives as the imagined crises in our youth. A COACH hands the young man a bat. COACH C'mon Picard! There's two outs - It's all up to you! The boy takes the bat and trudges out to bat. He doesn't look happy. The opposing catcher looks at him, then turns to shout to the other players. He holds up the "two outs sign". CATCHER Easy out! Easy out! Young Picard grimly settles into the batter's box. He looks around the diamond. From his point of view, we see a runner on first and third; and the scoreboard: Springfield 3 Normandie 2. The pitcher takes the sign, winds up, and pitches. Young Picard misses badly. UMPIRE Strike one! The hometown crowd yells its disapproval of the call. The pitcher winds up again and throws again. Young Picard doesn't swing. UMPIRE Strike two! YOUNG PICARD That was outside! UMPIRE No it wasn't, kid. The crowd is very enthusiastic now, yelling support. The pitcher winds up and delivers. Young Picard swings and misses. The opposing team goes wild, running out to the mound and hugging each other. Young Picard trudges toward the dugout, filled with unhappy players, staring at him. Young Picard is crying. The crowd sounds fade. FADE TO: Picard and BEVERLY sitting at a candlelit table, drinking champagne and smiling at each other. PICARD (V.O.) And, uh, other things. FADE TO: INT. PICARD'S QUARTERS Picard looks a little embarrassed, but Data doesn't notice. DATA Thank you, sir. INT. WORF'S QUARTERS Worf is adding his ceremonial dagger to his uniform. Data is present. WORF A warrior dreams of battle, Commander. DATA Is it any particular battle? WORF (hesitates) No. There are many different enemies in my dreams. But victory (beat) is always mine. FADE TO: Worf standing with several other Klingons, two male and one female. Nothing is said for a moment, they all just stand together rather unnaturally. Suddenly an explosion is heard, Worf turns toward it and crouches, drawing his weapon, but the others do not move. A phaser-like bolt strikes one of the male Klingons. He grunts and collapses. Only Worf appears to notice. WORF Father! Another bolt strikes the female. Worf turns to look at her. WORF Mother! The last Klingon is struck down. WORF Uncle! Worf looks down at them all. They're dead. Suddenly everything is quiet. Worf looks around for someone, anyone to shoot. There's no one. His growl of combat rises and rises into a shout of frustration and mourning as the camera rises to look down on him. He looks up at the sky (and camera) and shakes his fists. WORF Me! Why not me! Why didn't you take ME! CUT TO: INT. SICKBAY Data and Beverly are talking. BEVERLY My dreams? They're nothing special. FADE TO: INT. SICKBAY The doors slide open and Beverly walks into sickbay. Around the walls of sickbay lean and sit numerous obvious-wounded crewmen/women. An explosion is heard, followed by the Red Alert. Smoke is drifting in the air. A NURSE, standing by one of the sickbay diag- tables waves her over. NURSE Doctor! Come quick, we need you over here. Beverly walks toward the table, followed by a sickbay ORDERLY. Beverly points at several wounded people. BEVERLY Him. Her. And then him next. ORDERLY Yes, doctor. He turns O.S. and waves to other orderlies. As Crusher moves to the table by the Nurse, they come into view and pick up the wounded and carry them after her. She stops at the table and looks down at the wounded man. She looks up at the readouts. She looks at the Nurse. BEVERLY I can't save him. Put him over there. The wounded man is pulled off the table. The orderlies put the next on on. Beverly looks up at the readouts. BEVERLY I can't save him. Next. The wounded man is pulled off the table. Beverly looks down at her feet. There are wounded people all around her, looking up at her, with arms reaching up for help. BEVERLY (to the wounded at her feet) I can't save you. Next. Another wounded man is put on the diagnostic table. It is Picard, who is obviously seriously wounded. Beverly stares at him. CUT TO: INT. RIKER'S QUARTERS RIKER Well, I suppose mine are pretty normal -- things like an exam at the Academy, old friends. Sorry, nothing special here. FADE TO: INT. ENTERPRISE BRIDGE Riker, Data, Worf, and N.D. CREWMEMBERS are present, but not Picard. The red alert is sounding while bright flashes are coming from the viewing screen as if phasers are being fired on the Enterprise. Riker stands by the command chair. RIKER Come to course three-one-two mark two-one-two. Mister Worf, open fire! Nobody moves but Riker. He turns and looks from one to another. Worf is looking bored. Data is playing with a yo-yo. Two other crewmen are playing cards. RIKER Mister Worf, as your Captain, I order you to open fire! Worf ignores him. Riker runs up to his console and hits some controls to fire phasers. Still, no one else moves. The ship rocks as if hit. RIKER (shouting now) Mister Data! Come to one-one-three mark one-two! Data and everyone else ignores him. Riker runs to Data's console and begins typing controls there. Data knocks his hands away. Riker tries again. Data knocks his hand away again. The ship rocks again. COMPUTER Warning. Main hull breached. Riker retreats toward his command chair. As he retreats from a closeup face shot, we notice that as far as we can tell, he is naked. Riker notices this, and covers himself. He turns to look at his command chair which suddenly has fangs, ears, and glowing eyes, and then growls at him. The crew suddenly notices that he is naked and begin laughing at him. CUT TO: INT. RIKER'S QUARTERS. Riker looks a little embarrassed. RIKER (a little too stiffly) And now if you'll excuse me, I have a poker game waiting. DATA Thank you, Commander. I think I have enough information to begin my dream simulations. INT. STAR BASE 173 CORRIDOR Riker beams into the corridor and goes into a door marked "Brig". INT. STAR BASE 173 BRIG Riker stops in front of the desk of MIKE MCMURDOC. McMurdoc is absorbed in the computer game on his console. Scattered on the desk are various cups of coffee in various states of fullness. Blueberry- filled doughnuts, in various states of being-eaten are with them. RIKER (to McMurdoc's back) Haven't you won at "Wizard's War" yet, Mac? McMURDOC (without turning) Well, if I can just get this summoning spell... He swivels around, recognizing the voice. He rises to shake hands. McMURDOC (continuing) Will, you old scoundrel! Sit y'self down and and have some coffee. RIKER You know, the Scarlet Demon will help you with that spell-- McMURDOC (interrupting) Don't tell me! I want to figure it out for myself. (to terminal) Computer. Save game. RIKER Just like in the Academy, Mike - you spent all your time playing those silly games instead of studying. McMURDOC Ah, yes, but then I didn't want to rule the galaxy like you did, Willy. You got the grades but I got the fun. RIKER So, what's the real story on the Kitakami? Is she doing any special testing? McMURDOC (resignedly) I'm not going to be rid of you until you see her, am I? RIKER That's the picture. McMURDOC Well, I don't really know what is so special about her, but something IS going on. I'm not sure what it is, but there are sections of that ship that even I can't get into. And I've got orders from God himself - the Admiral of the Fleet. RIKER Some sort of new weapon? A new drive? McMURDOC I don't know, old friend. The people working on her are kept in a special wing of the station and they don't get to talk with anyone. So, how about a tour? I can show you anything you want. McMurdoc turns to his console communicator. McMURDOC (to console) Security Chief McMurdoc calling Kitakami. KITAKAMI OFFICER'S COM VOICE Kitakami here. McMURDOC Two beaming over. Myself and Commander Riker. Clearance checked and passed. KITAKAMI OFFICER'S COM VOICE You are cleared. Please use the secure transporter codes to interrupt the shields. McMURDOC Very well, Kitakami. McMurdoc out. RIKER (continuing where he left off) Anything? McMURDOC Well, almost. Not the Engine Room, or the Battle Bridge, or the Computer Room. The two of them walk toward the door. RIKER ... or the Weapons Room... McMURDOC Or the Auxiliary Power room, or the research labs, or the... The doors to McMurdoc's office close on them, cutting off the conversation. INT. KITAKAMI BRIDGE TECHNICIANS are sitting at various consoles. Riker and McMurdoc transport in. The technicians ignore them. McMURDOC So, here it is. RIKER (looking about interestedly) Not much to look at... McMURDOC Not really, no. INT. HIJACKER'S HIDEOUT Human One and Two are preparing weapons and various nondescript devices. They are now wearing Starfleet uniforms. The only incongruity is their overly long hair, which makes them seem not-quite-right. HUMAN ONE All right. Now we'll find out if those transporter security codes I bought really work or not. You set to crack the command console, (pausing, with humor) Lieutenant? HUMAN TWO (going along with the joke) Yes, sir, Captain. (seriously) It may take a while, though. The two hijackers check weapons, put devices in their pockets, making ready to go. HUMAN TWO Is the Enterprise still without its warp drive? Human One taps some keys on his console. HUMAN ONE Yes. She's at least fifteen hours from being able to restart. This is going to be close, but we'll make it. They step into a small two-person transporter on the hideout wall. HUMAN ONE I'll give you all the time I can. Concentrate on helm controls first. If we can fly her away from here, you'll have plenty of time to work on the rest later. (to computer) Computer! COMPUTER VOICE Ready. HUMAN ONE Initiate shield-coded beamup procedure. (to Human Two) Here goes nothing... INT. KITAKAMI BRIDGE Suddenly transporter sounds are heard. Riker, McMurdoc, and the technicians turn and stare as the two thieves materialize, weapons in hand. Alarms are heard. HUMAN TWO (to Riker) You! Smile for the camera! McMurdoc and Riker freeze for a second and then make moves to dive for cover. Human One and Human Two fire phasers and down go McMurdoc and Riker. They then fire on the technicians, who also go down. HUMAN TWO (to Human One) Well, THAT part was easy. Anyone else on board? Human One walks over to a console then taps some keys, watching the display. HUMAN ONE (to Human Two) Nope, this is the lot. Get to Engineering and get us underway! END OF ACT ONE ACT TWO INT. HOLODECK The Holodeck grid is on. Data enters. DATA Computer, load Data Dream Program. HOLODECK VOICE Program loaded. DATA Run program. The holodeck pattern dissolves into a Roman Senate scene. All Castmembers are present (as Dream Crewmen) and there are various other N.D. CITIZENS in the crowd. Riker plays BRUTUS, who is present. Picard and Data (who will enter) play the dead CAESAR and ANTONY, respectively. The rest of the cast are PLEBIANS. It is Act III, Scene 2 of "Julius Caesar". All are wearing appropriate costume. Off to the side and clearly visible is Data, in uniform, watching. Dream Data (and all the others) should play this with all the anger, grief, and irony that the role requires. Dream Data achieves the humanity that Data wants and in the way that Data wants; through Shakespeare. Dream Riker descends the stairs of the Senate to about half-way down. As the crowd of Plebians gathers to hear him speak, a flock of sheep are driven past Data. On the top of each's head is a blinking red light, and each has blue lights on its sides. (Yes, they are "electric sheep".) Data notices them, but before he can pay much attention, Dream Riker begins to speak. DREAM RIKER Romans! Hear me for my cause, and be silent, that you may hear. Believe me for mine honor. If there be any in this assembly, and dear friend of Caesar's, to him I say that Brutus' love to Caesar is no less than his. If then that field may demand why Brutus rose against Caesar, this is my answer: Not that I loved Caesar less, but that I loved Rome more. Had you rather Caesar were living and die all slaves, than that Caesar were dead, to live all free men? As Caesar loved me, I weep for him, as he was fortunate, I rejoice at it, as he was valiant, I honor him; but as he was ambitious, I slew him. I give tears, for his love; joy for his fortune; honor for his valor, and death, for his ambition. Who is here so base, that would be a bondman? If any, speak; for him have I offended. Who is here so rude, that would not be a Roman? If any, speak; for him I have offended. Who is here so vile, that will not love his country? If any, speak; for him have I offended. I pause for a reply. ALL None, Brutus, None. DREAM RIKER Then none have I offended. I have done no more to Caesar than you shall do to Brutus. The question of his death is enrolled in the Capitol; his glory not extenuated, wherein he was worthy; nor his offenses enforced, for which he suffered death. Dream Data enters from the Senate, carrying the body of Dream Picard (Caesar), who is mostly covered by a cloth, but whose face is visible. The crowd gasps and mutters amongst themselves. DREAM RIKER (continuing) Now comes Mark Antony who, though he had no hand in Caesar's, shall receive the benefit of his dying, a place in the commonwealth, as which of you shall not? With this I depart, that, as I slew my best lover for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death. ALL Live Brutus! Live! Live! Dream Data carries Dream Picard down the steps to a dais, places him there, and then stands further down the steps from Dream Riker, watching him. DREAM RIKER Good countrymen, let me depart alone, and for my sake, stay here with Antony. Do grace to Caesar's corpse, and grace Antony's speech. Let not a man depart, save I alone till Antony have spoke. Dream Riker exits up the stairs toward the Senate, as the crowd mutters amongst themselves. DREAM O'BRIEN Let us hear Mark Antony. We'll hear him. Noble Antony, go up. Dream Data walks up a few steps, then turns toward the crowd. The crowd still mutters darkly. DREAM DATA Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him. The evil that men do lives after them, the good is oft interred with their bones; so let it be with Caesar. The noble Brutus hath told you Caesar was ambitious. If it were so, it was a grievous fault, and grievously has Caesar answered it. Here, under leave of Brutus and the rest, for Brutus is an honorable man. So are they all, all honorable men. Come I to speak in Caesar's funeral. He was my friend, faithful and just to me; but Brutus says he was ambitious, and Brutus is an honorable man. He hath brought many captives home to Rome, whose ransoms did the general coffers fill: Did this in Caesar seem ambitious? When that the poor have cried, Caesar hath wept; ambition should be made of sterner stuff. Yet Brutus says he was ambitious, and Brutus is an honorable man. You all see that on the Lupercal I thrice presented him a kingly crown, which he did thrice refuse. Was this ambition? Yet Brutus says he was ambitious, and sure he is an honorable man. I speak not to disprove what Brutus spoke, but here I am to speak of what I know. Tears begin to become visible at Dream Data's eyes. DREAM DATA (continuing) You all did love him once, not without cause; What cause withholds you then to mourn for him? O judgment, thou art fled to brutish beasts, and men have lost their reason. Bear with me - Dream Data's tears are now clearly visible. Data notices this and touches his own cheek. His eyes are bright. THIS is what he can be; what he will be one day in reality. DREAM DATA (continuing) My heart is in the coffin with Caesar, and I must pause till it come back to me. Dream Data turns away to compose himself. DREAM WORF Methinks there is much reason in his sayings. DREAM TROI If thou consider rightly of the matter, Caesar has had great wrong. DREAM GEORDI Has he, countrymen? I fear there will a worse come in his place. Dream Data turns back to the crowd. DREAM DATA But yesterday the word of Caesar might have stood against the world; now lies he there, and none so poor to do him reverence. O masters! If I were disposed to stir your hearts and minds to mutiny and rage, I should do Brutus wrong, and Cassius wrong, who, you all know, are honorable men. I will not do them wrong; I rather choose to wrong the dead, to wrong myself and you, than I will wrong such honorable men. But here's a parchment with the seal of Caesar; Dream Data pulls out a parchment from his toga. DREAM DATA (continuing) I found it in his closet; 'tis his will. Let but the commons hear this testament, which pardon me, I do not mean to read, Dream Data puts the will back within his toga. DREAM DATA (continuing) and they would go and kiss dead Caesar's wounds, and dip their napkins in his sacred blood, yea, beg a hair of him for memory, and dying, mention of it in their wills, bequeathing it as a rich legacy unto their issue. DREAM TROI We'll hear the will. Read it, Mark Antony. ALL The will, the will! We will hear Caesar's will! DREAM DATA Have patience, gentle friends; I must not read it. It is not meet you know how Caesar loved you. You are not wood, you are not stones, but men; and being men, hearing the will of Caesar, it will inflame you, it will make you mad. 'Tis good you know not that you are his heirs; for if you should, what would come of it? DREAM TROI Read the will! We'll hear it, Antony! DREAM O'BRIEN You shall read us the will! DREAM GEORDI Caesar's will! DREAM DATA Will you be patient? Will you stay awhile? I have overshot myself to tell you of it. I fear I wrong the honorable men whose daggers have stabbed Caesar; I do fear it. DREAM WORF They were villains, murderers! The will! Read the will! ALL The will! The Testament! DREAM DATA You will compel me then to read the will? Then make a ring about the corpse of Caesar and let me show you him that made the will. Shall I descend? and will you give me leave? DREAM BEVERLY You shall have leave. ALL Come down! The will! Read the will! Dream Data steps down to the the body of Dream Picard, and the crowd quickly surges closer. Data walks around the crowd, partway up the Senate stairs, and stands unnoticed by the others, looking down the stairs at the scene. DREAM DATA If you have tears, prepare to shed them now. You all do know this mantle. I remember the first time ever Caesar put it on; 'twas on a summer's evening in his tent, that day he overcame the Nervii. Look, in this place ran Cassius' dagger through: see what a rent the envious Casca made: through this the well-beloved Brutus stabbed; and as he plucked his cursed steel away, mark how the blood of Caesar followed it, as rushing out of doors, to be resolved if Brutus so unkindly knocked or no; for Brutus, as you know, was Caesar's angel. Judge, O you gods, how dearly Caesar loved him. This was the most unkindest cut of all; for when the noble Caesar saw him stab, Ingratitude, more strong than traitors' arms, quite vanquished him: then burst his mighty heart; and even at the base of Pompey's statue great Caesar fell. Little screams, exclamations, and sobs are heard from the crowd. DREAM DATA (continuing) O, what a fall was there, my countrymen! Then I, and you, and all of us fell down, whilst bloody treason flourished over us. O, now you weep, and I perceive you feel the dint of pity. These are gracious drops. Kind souls, what weep you when you but behold our Caesar's venture wounded? Look you here! Here is himself, marred, as you see, with traitors. Dream Data pulls the covering off Dream Picard's body, revealing the bloody toga beneath. The crowd reacts with horror. DREAM TROI O piteous spectacle! DREAM GEORDI O noble Caesar! DREAM BEVERLY O woeful Day! DREAM WORF Traitors! Villains! DREAM O'BRIEN O most bloody sight! DREAM WORF We will be revenged. ALL (with great tumult and shouting) Revenge! DREAM DATA Stay, countrymen! Good friends, sweet friends, let me not stir you up to such a sudden flood of mutiny. They that have done this deed are honorable. What private griefs they have, alas, I know not, that made them do it. They are wise and honorable, and will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts. I am no orator, as Brutus is. But, as you know me all, a plain and blunt man, that love of my friend and that they know full well that gave me public leave to speak of him. For I have neither wit, nor words, nor worth, action, nor utterance, nor the power of speech to stir men's blood; I only speak my heart. I tell you that which you yourselves do know, show you sweet Caesar's wounds, poor poor dumb mouths, and bid them speak for me. But were I Brutus, and Brutus Antony, there were an Antony would ruffle up your spirits, and put a tongue in every wound of Caesar that should move the very stones of Rome to rise and mutiny. ALL (more tumult) Yes, mutiny! DREAM DATA Yet hear me, countrymen! Yet hear me speak. The crowd calms. DREAM DATA (continuing) Why friends, you go to do you know not what. Alas! I must tell you then. You have forgot the will I told you of. Dream Data pulls the scroll from his toga again. ALL The will! We will hear the will! DREAM DATA Here is the will, and under Caesar's seal. To every Roman citizen he gives, to every several man, seventy five drachmas. The crowd reacts with much ooo's and ah's and much muttering. DREAM TROI O most noble Caesar! DREAM WORF We'll revenge his death! DREAM GEORDI O royal Caesar! DREAM DATA Hear me! Moreover, he hath left you all his walks, his private arbours, and new-planted orchards, on this side Tiber; he hath left them you, and to your heirs forever: common pleasures, to walk abroad and recreate yourselves. HERE was a Caesar! When comes such another?!? DREAM BEVERLY Never! Never! The crowd is screaming now, with great tumult. This suddenly fades, in sound and visual, to be replaced by the holodeck grid. Data is alone. COMPUTER VOICE Program ends. DATA Fascinating. Exit Holodeck. The Holodeck doors open and Data leaves. INT. KITAKAMI BRIDGE Human One and Human Two sit at computer consoles. HUMAN ONE All right. We've got navigation control and impulse engines. Put the shields back up. What's the status on warp and weapons? Human Two taps some controls. HUMAN TWO Shields up. The codes are difficult for those. I'm trying the Starfleet 'Hannibal' sequence now. What course have you set? HUMAN ONE I'm setting a bee-line for the Neutral Zone. The Romulans will meet us there, shepherd us to a base and make payment. Riker, still lying where he fell, stirs. Human One notices him. HUMAN ONE Sorry sleepyhead, we need you alive to sell with this ship, but we're busy right now. He stuns Riker again. Riker collapses. HUMAN TWO (to Human One) Nice guy, but he doesn't talk much. END OF ACT TWO From Eric_S_Klien@cup.portal.com Sun May 26 15:30:32 1991 Received: from portal.com by hydra.unm.edu (5.61/0.1) id ; Sun, 26 May 91 15:28:48 -0600 Return-Path: Received: by nova.unix.portal.com (5.65b/4.1 1.26) id AA25272; Sun, 26 May 91 13:02:26 -0700 Received: by portal.unix.portal.com (1.38) id AA24710; Sun, 26 May 91 13:01:10 -0700 Received: by hobo.corp.portal.com (4.1/4.0.3 1.7) id AA07494; Sun, 26 May 91 12:14:07 PDT To: pjohnson@watserv1.uwaterloo.ca, seymour@milton.u.washington.edu, clifton@lodestar.lonestar.org, highway@wam.umd.edu, aeclark@watyew.waterloo.edu, FAX0357@uoft02.utoledo.edu, cwayne@hydra.unm.edu, mja3_ltd@uhura.cc.rochester.edu, gerry@qsun.att.com, chaos@vax1.acs.udel.edu, gregg@zimmer.CSUFresno.EDU, pip@pro-library.cts.com, baldy@micor.ocunix.on.ca From: Eric_S_Klien@cup.portal.com Subject: SF Script Lines: 1624 Date: Sun, 26 May 91 12:14:06 PDT Message-Id: <9105261214.4.119@cup.portal.com> X-Origin: The Portal System (TM) Status: R ACT THREE INT. TEN-FORWARD Not many people are here, the only recognizable one is O'BRIEN. Data enters, looks around, spots O'Brien, who is playing a one-person computer game. Data walks over to him. DATA Chief O'Brien, may I speak with you? O'BRIEN Certainly Mister Data. I have some maintenance to do later unfortunately - what's your excuse for being on board ship? DATA I have been performing computer simulations to try and determine what sort of dreams I might have. O'BRIEN Curious. You can't REALLY dream, can you, so you want to manufacture some? DATA Correct. In fact, I have just had a most interesting experience with my dream simulations. Would you like to hear about it? You humans are so fortunate to have dreams. O'Brien looks back to his game and makes a move. O'BRIEN No offense meant to you, Mister Data, but I'd rather not. DATA (mystified) Would you mind explaining why? Others I have talked to have been very forthcoming with helpful suggestions. I am curious why you don't want to hear about... O'BRIEN Mister Data, ever since I was a little boy, I've been plagued with nightmares that are, well, very disturbing. DATA Nightmares? I realize that this might be a very personal question, but could you be more specific? My research has been mostly concerned with so-called good dreams, but the phenomenon of bad dreams is intriguing. O'BRIEN Well, I guess so. See this? O'Brien pulls out a little device with blinking lights on it. DATA A dream suppressor... O'BRIEN (matter-of-factly) That's right. I wear one. Every night. Dreams are some people's playgrounds, but I'd go insane if I actually had to dream what's in my head. DATA I don't understand. You fear your own dreams? O'BRIEN Darn right I do. My dreams are full of monsters, snipers, missing arms, suffocation, drowning, and death. When I was a boy I would stay awake for days rather than sleep. But it didn't help, you see. Those (beat) dreams. They were always waiting for me. This little beauty doesn't stop my dreams, but it takes the edge off them, if you know what I mean. Makes what happens in them seem less intense, less... (beat) personal. He looks at his game again, starts to make another move, but stops. O'BRIEN (continuing) Anyway, the dreams got so bad that I had to start using this thing to sleep at night at all. It keeps me sane. He makes a move. DATA This is very ... O'BRIEN (interrupting) As you can imagine, it leaves a big hole in my psych profile. That's how I wound up in Technical Branch, that's why I couldn't stay in Command. That's why I had to give up my chance (beat) at a Captaincy. Excuse me, Commander. O'Brien gets up and walks to the bar, away from Data. Data looks somewhat puzzled by the abrupt end to the conversation. DATA (to O'Brien's back) Thank you, Chief O'Brien. I shall study this phenomenon very closely. INT. HOLODECK The holodeck grid is on. Data enters. DATA Computer. Load Data dream program with modification for nightmare. COMPUTER Program loaded. DATA Run program. The Holodeck grid fades, replaced by a view of the bridge -- the camera is centered on the command chair group. DREAM PICARD, DREAM RIKER, and DREAM TROI are present. DREAM PICARD I must say, Number One, that this modification to Mister Data is much more useful. My compliments. DREAM RIKER Thank you, Captain. Mister Data! DREAM DATA (O.S.) Aye sir. DREAM RIKER Come to course... Camera pulls back, to show Dream Data's disembodied head apparently attached to the navigation console. DREAM RIKER (continuing) ... one-two-four mark one-five. DREAM DATA Aye sir. The turbolift doors open and a headless body walks out. Dream Data cranes his head around as best he can. DREAM DATA (continuing; plaintively) Over here. The headless body falls over the railing in front of the turbolift and lands at Dream Troi's feet. She bursts out laughing. DREAM DATA (continuing) Over here. The headless body gets up and gropes off in the wrong direction. Picard and Riker are also laughing now. DREAM PICARD (to Riker) He certainly is more FUN now! DREAM RIKER Yes sir. (to Dream Data) Data, I don't think he can... (with emphasis -- he's making a joke) hear you. The laughter at Riker's joke redoubles. The camera loses focus and becomes grey. DATA Computer - is there some problem with the program? COMPUTER Negative. Program parameters nominal. Subjective analogy: a subdream, unconnected to the following dream. DATA Intriguing. Proceed. INT. ENTERPRISE DREAM BRIDGE Dream Picard, Dream Riker, Dream Worf, Dream Geordi, N.D. crewmembers present. DREAM WORF Captain, the Kitakami is approaching on an intercept course! DREAM PICARD Sound red alert. (using communicator) Mister Data to the bridge. (to Worf) Raise shields. DREAM WORF They are firing, sir! The Enterprise rocks as if hit. DREAM WORF (continuing) A hit in engineering, sir! The elevator doors open and in comes Data. Data is significantly different, however. He is apparently steam powered. His chest is a big boiler with a little smokestack which is belching smoke. Data clanks as he walks in. He looks thoroughly ridiculous, but nobody reacts to it. DREAM GEORDI Captain, I can't control the damage and reroute the warp controls from here. I'm going to have to do it from engineering, and I'll need Mister Data. DREAM PICARD So it is written, so shall it be done! DREAM DATA I am not sure I have enough steam built up to get to Engineering. Dream Geordi opens a compartment by his engineering station and grabs some lumps of coal. He then opens a panel over Dream Data's stomach and throws in the coal. DREAM GEORDI C'mon Data! Dream Data toot-toots a whistle on his boiler and follows Dream Geordi into the turbolift. The scene goes grey again. DATA Computer, save and end program. Exit Holodeck. COMPUTER Program terminated. The holodeck doors open. Data walks out. INT. KITAKAMI BRIG Riker and McMurdoc are on the floor, unconscious. The cell security field is on. Riker's and McMurdoc's Starfleet pins/communicators are gone. Riker and McMurdoc stir. Through the security field, we can see the technicians who were on the bridge before in other cells. They are unconscious. RIKER My head. Where are we? McMURDOC The Brig, looks like. RIKER We're hip-deep in trouble, you know. McMURDOC How in the hell did they get aboard? Security screens should have kept them out. RIKER My guess is they've been planning this for a long time. I heard one of them say they were going to sell the ship. Whatever is in this ship must be worth a lot of credits - to the Romulans, I'd say. We're fairly close to the Neutral Zone. McMURDOC So they beat the security codes. Great. There goes my retirement pay. RIKER Maybe not. It doesn't feel like we're under warp drive. My guess is they don't have ALL the codes they need and they're up on the bridge trying to beat the codes for the warp drive system. Maybe the Enterprise arriving panicked them into moving before they were really ready. How long do you think it will be before someone notices you're missing? McMURDOC Soon, I hope. I don't fancy Romulan hospitality for the rest of MY life, how about you? RIKER Not me either. Got a spoon? Maybe we can dig our way out. McMURDOC Where's a Scarlet Demon when you need one? They look glumly at each other. END OF ACT THREE ACT FOUR INT. TROI'S QUARTERS Data, Troi and Beverly are present. DATA Doctor, Counselor, I would like to discuss the phenomenon of nightmares. What causes them? TROI Well, no one knows what exactly causes some dreams to be nightmares and some not. There seem to be a variety of factors involved. DATA But some nightmares are very intense, very disturbing experiences. How is it that humans stop these dreams from affecting their entire lives? BEVERLY Well, Data, each person deals with dreams in a different way. Some people can readily separate dream and reality experiences. With others, dreams can color a person's feelings or mood as if the dreams were somehow real experiences. DATA My most recent dream simulation was a programmed nightmare. It was... (beat) interesting. TROI Do you feel that these simulated dreams might be showing up some sort of deep-seeded programming analogy to insecurity? DATA I do not know. However, I would be obliged if you would accompany me when I perform my next simulated dream. TROI To give human analogies to what we see? DATA Exactly. TROI Unfortunately, I have business I have to attend to. Beverly, would you like to? BEVERLY I'd like that very much. DATA Excellent. Thank you, Doctor. INT. ENTERPRISE BRIDGE N.D. crewmembers are present, including KISKY, a young female ensign at the helm, and Worf in the Command Chair. Picard enters from the turbolift. Worf rises, but Picard keeps walking toward his ready-room. PICARD I'll be in my ready room, Mister Worf. WORF Aye, sir. KISKY Sir, the Kitakami is powering up her warp drives. Picard stops. WORF Very well. What of it? KISKY She's filed no flight plan, sir. Not even a classified one. Also, the warp fields are showing field flaws. Looks ... strange, Sir. PICARD I'll take this, Lieutenant. Hail them, Ensign. Kisky taps some keys. Worf moves to his console. KISKY Aye, sir. On screen. One the viewscreen, Human One is seen. He looks distracted. HUMAN ONE Hello, Enterprise. Captain... (a beat) Arbuckle here. PICARD Captain, your warp drive appears to us to be out of balance. Do you require assistance? HUMAN ONE (looks at various displays) Uh, no, thank you, Captain. We have it under control. Kitakami out. The viewscreen fades. PICARD Peculiar. Mister Worf, keep an eye on the Kitakami and inform me of any changes. Please recall the first-shift watch personnel from Gibson's Folly. You have the Conn. WORF Aye, sir. Picard pauses, thinking. Worf returns to the command chair. PICARD (to himself) Peculiar. Picard leaves to his ready room. WORF (to Kisky) You heard the man. INT. HOLODECK The Holodeck grid is on. The doors open and Data and Beverly enter. BEVERLY So, what changes did you make to your program? DATA I have adjusted the program only slightly. I do not wish to eliminate the possibility of the nightmare phenomenon, but to try to make the possibility of one occurring be more in line with average human dream patterns. Computer, load Data Dream Program and execute. COMPUTER Program loaded. Execution begins. Holodeck grid dissolves into a planet ("Celesium-4") scene, the one from "Skin of Evil" is a good guide. We look past Data and Beverly, to see Dream Data, Dream Picard, and Dream Troi are present. In the background is a shuttlecraft. Explosions are heard. The dream crew starts and turns toward the explosions. All draw weapons. Dream Picard's communicator beeps. He taps it. DREAM PICARD Commander Riker, report! DREAM RIKER'S COM VOICE Captain, they're getting closer and they don't look like they're going to stop! DREAM PICARD Very well, Commander. Return to the landing site at once. Dream Geordi comes out of the shuttlecraft. DREAM PICARD (continuing) Mister LaForge! Estimated time of repairs! DREAM GEORDI It'll be another hour or so, Captain. He runs back into the shuttlecraft. DREAM PICARD (to the other dream characters) Take up defensive positions. Counselor, any ideas? DREAM TROI I suggest we keep our heads down, Captain. The dream crew takes up positions facing the direction of the explosions. In the background, we still can see Data and Beverly. DATA (to Beverly) Doctor, I believe we are seeing events somewhat similar to those that actually occurred on the planet Celesium-4. In the actual event, we were forced to flee when local bandits attacked. But apparently in this simulation, the shuttlecraft is inoperable, forcing us to fight. BEVERLY (to Data) Yes, I remember it. The dream crew have put themselves in positions of cover, ready to return fire. Explosions sound, much closer. Dream Riker and Dream Worf come running in from the direction of the explosions and take up positions themselves. DREAM RIKER They're headed this way and they mean business, sir. DREAM PICARD Mister Data. Recommendations? DREAM DATA Sir, I would say that this situation is very similar to that faced by the citizens of New York when they were under siege by the Martians in nineteen-eighty-nine. In that situation... DREAM PICARD (interrupting) Mister Data, what the devil are you talking about? The Martians? (beat) Besieging New York? (beat) In nineteen-eighty-nine?!? DREAM DATA Um... er.... Closeup on Data and Beverly. DATA Doctor, this is quite beyond my experience. To my knowledge, I have never made an error in a factual matter. To my knowledge, it is impossible. BEVERLY If you were human, I'd say you were worried about senility. I'd say this is a nightmare, Data. Behind them, Dream Picard rises and stands over Dream Data, oblivious to explosions. DREAM PICARD On your feet, Mister Data! Dream Data rises to face him. DREAM PICARD (continuing) Battle of Trafalgar. DREAM DATA Fifteen-thirty-four. DREAM PICARD Wrong. Founding of the Federation. DREAM DATA Eleven-sixty-seven. Dream Picard is advancing on Dream Data, who is retreating before him, toward Data and Beverly. The other dream castmembers sit and watch. DREAM PICARD Wrong. First human in space. DREAM DATA Seventeen-fifty-three. DREAM PICARD Wrong. My Birthday. DREAM DATA April twelfth. DREAM PICARD Wrong! BEVERLY (to Data, amused) I'd say this is DEFINITELY a nightmare for you, Data. INT. KITAKAMI BRIG Riker and McMurdoc are sitting on bunks. McMurdoc is fiddling with the controls of a food dispenser in the cell. RIKER How can you think about food at a time like this? McMurdoc is tapping keys like crazy. McMURDOC Well, if I can get past this food synth menu, I can... aha. RIKER Get past the what? McMURDOC The synth menu. If you'd played as many games I have have, Will. You'd know that if you want to win, you have to be... McMurdoc pauses for effect and gives a little "tada!" gesture with his hand toward the cell door and the cell's confinement field goes off. McMURDOC (continuing) sneaky. RIKER (slightly disbelieving) You put the food synth into the security system? McMURDOC Who do you think programmed the security on this boat? I always leave a little something around, just in case. RIKER So, what now - do you think we can take the bridge? McMURDOC (chidingly) Subtlety, Will, subtlety. We'll just do a little sabotage until somebody comes to the rescue. Shall we start with, say, the warp drive? Riker, slightly chagrined at the prospect of NOT leaping into the fray - guns blazing - leans against the wall. RIKER Well, what do I do? McMURDOC Can you go into the next cell and get me some coffee and doughnuts? I'm hungry. Riker laughs and leaves the cell. McMurdoc turns back to his food synth/sabotage machine and smiles. McMURDOC (to himself) With this, I shall rule the world. INT. KITAKAMI BRIDGE Human One and Human Two are sitting at consoles again. HUMAN ONE Try Starfleet Technical Code Gamma. HUMAN TWO Here goes... He punches keys. HUMAN TWO (continuing) Nope. Have you figured out the targeting computer yet? HUMAN ONE Hmph. Not yet. All right, we've got weapons and navigation and impulse, but the warp drive just plain refuses to come on line. HUMAN TWO The security systems on this ship are very odd. It's as if they have some sort of counterattack intelligence built into it. I've never seen it before. HUMAN ONE Counterattack? HUMAN TWO Yes, it keeps trying to power down systems - as if it knows we're going to steal the ship. I've got it locked down pretty well now, (beat) I think. (beat) We can't expect people to not start checking on us soon. Let's try something. HUMAN TWO Like what? HUMAN ONE Does the Enterprise still have her warp down? Human Two taps some keys, looks at a readout. HUMAN TWO Yes... she's still in dock. HUMAN ONE Then what we'll do is this. Power up the beam weapon and let's get underway. We'll get moving on impulse and keep working on the warp drive codes. If the Enterprise pursues... He smiles. HUMAN ONE (continuing) ...we'll blow her out of space. END OF ACT FOUR ACT FIVE INT. ENTERPRISE BRIDGE Picard, Worf, Kisky, and other bridge crewmen are present. WORF Sir, a Lieutenant Trebig of Starbase security is hailing us. PICARD On screen. On the screen is one of McMurdoc's men, LT. TREBIG. TREBIG Captain, the Kitakami is leaving orbit. She will not answer our hails. We believe that she has been seized by forces unknown. You've got to intercept and bring her back. PICARD We'll do our best, Lieutenant. Mister Laforge, what is the status of Warp engines? GEORDI'S COMM VOICE Warp engines down completely sir, no chance to get them up for another twenty hours. We're at exactly the wrong time to try a restart. Impulse engines on-line in three minutes. All I can give you right now is maneuvering thrusters. PICARD Very well. Give me shields and phasers at your earliest convience. TREBIG There's more, sir. Chief McMurdoc is missing and we believe he was on board the Kitakami when it was taken. Commander Riker may also be aboard. I am also now authorized to give you this message, from the Admiral of the Fleet. I'm breaking about seven regulations to play it for you this way, but there isn't time... Trebig touches a control and Trebig's image on the viewscreen is replaced by that of the Admiral of the Fleet. ADMIRAL The following is top secret. The Kitakami is testing a new weapon using technology created from analyzing wreckage of the Borg ship recently destroyed near Earth. It is more powerful than any known weapon. Hopefully if the Borg should ever return, it will defeat them. Should this weapon fall into the wrong hands, the security of the entire Federation may be at stake. All costs are to be expended to keep the Kitakami from being lost. I hereby authorize the destruction of the Kitakami to avoid it being lost to enemy forces. On the viewscreen, the Admiral's face is replaced by the Starfleet symbol, which then fades to the normal space-view. PICARD (edgy, but calm) Very well. Mister Worf, Hailing frequencies. WORF Open. PICARD Research vessel Kitakami. You will heave-to immediately and prepare to be boarded. Repeat: heave-to and prepare to be boarded. Worf looks over his instruments. WORF No answer, sir. Her shields are up, sir. PICARD Red alert. WORF Aye, Sir. Red alert sound is heard. INT. HOLODECK The scene continues where we left off. Dream Picard is still forcing back Dream Data toward Data and Beverly. DREAM PICARD Wrong. Inches in a foot. DREAM DATA Five. DREAM PICARD Wrong. One plus one. DREAM DATA Three. Red alert sound is heard. DREAM PICARD'S COMM VOICE Mister Data and Doctor Crusher to the Bridge. The Holodeck doors open in an unusual location and without being ordered. DATA (to Beverly) We must leave, Doctor. They leave through the apparent holodeck doors. In the background, Dream Picard and Dream Data continue. DREAM PICARD Wrong! My name. DREAM DATA Captain Pecan. DREAM PICARD Wrong! Your name. DREAM DATA Mister Dodo. DREAM PICARD Right! INT. KITAKAMI BRIG Riker and McMurdoc are sitting next to the food synth, almost casually eating doughnuts and drinking coffee. RIKER Can't you get a message through to someone? A nice boarding party would really be just perfect right about now. McMURDOC No, sorry. They've really locked down the communications system. McMurdoc peers intently at his displays. McMURDOC (continuing) What the hell is that?!? It's the weirdest reading I've ever seen. Riker also looks at the display. RIKER Looks like a weapons system. Now where I have I seen that before? McMURDOC I've heard rumors about something very special in the weapons room. RIKER It looks like (beat) no, it can't be. McMURDOC Like what? RIKER Like, well, a Borg weapon. The Enterprise is a sitting duck out there. We can't let that Borg weapon fire. McMURDOC I'll try stopping it by switching off the power couplings to the weapons systems. McMurdoc begins tapping keys. McMURDOC (continuing) He's turning it back on. I'll turn it off again... McMurdoc's hands are fairly flying across the keypad now. McMURDOC .... and he turns it on again. This is going to be tricky. This guy is good! (beat) This is fun! RIKER Well, if he's fighting you over the power couplings, why don't we try something else? McMURDOC Like what? RIKER How about the weapons tracking controls? If they can't aim the the thing, it isn't worth much. McMURDOC Hey, good idea! RIKER (pausing for effect) Subtlety, Mike, subtlety. INT. ENTERPRISE BRIDGE WORF Sir, I am getting very unusual energy readings coming from the Kitakami. PICARD Unusual? In what way? WORF In some ways, they are very similar to Borg weapon emissions. PICARD (to Worf) Shields up. INT. DREAM ENTERPRISE BRIDGE This will appear at first look to be the same as the real Enterprise bridge, but it isn't. Data and Beverly won't realize that. Unbeknownst to them, they are still on the Holodeck, still in Data's nightmare. However, due to appearances, the audience will not be aware of it either. Geordi will NOT be on the dream bridge at the beginning of this scene. Riker WILL be, which will be an early tip-off to the audience (though he will not have any lines until the very end of the scene.) Data and Beverly enter the bridge. Bright flashes are coming from the viewscreen. Data quickly moves to the helm and Beverly to her position. DREAM WORF Captain, that last hit damaged the warp drive and the shields. We cannot stand another shot from the Kitakami. I recommend we open fire! DREAM PICARD Mister LaForge to the Bridge. BEVERLY (to Dream Riker, past Dream Picard) What's going on? DREAM PICARD (too angrily, to Beverly) Not NOW, Doctor! Data taps buttons and looks over his readouts. He frowns. Something is not quite right, but he doesn't know what it is. He keeps tapping keys and looking at readouts. DATA Captain, the Kitakami's warp drive is not warp-capable. However, her weaponry appears to be about to fire. Her field readings are unusual... very unstable. DREAM PICARD (to Worf) Mister Worf, stand by your weapons. (to Data) Can you be more specific than that, Commander? Data looks intently at his displays. DATA The weapon's field emanations are extremely irregular. Readings are indicative of a dangerously unstable condition in the weapon. Data's sensor-panel beeps. Data looks at it. DATA Power readings have increased substantially, Captain. However, the weapon is still in a very unstable state. Dream Geordi enters the bridge and crosses to the engineering console, looking at displays, and tapping keys. DREAM PICARD Mister LaForge, keep the shields up at all costs. DREAM GEORDI Aye, aye, sir. I'll need to get back to Engineering right away. Dream Geordi turns to go. DREAM RIKER Wait, Geordi! You may need this. Smiling, he walks up to Data, who rises in astonishment. Dream Riker grabs Data's arm and makes a movement as if to remove Data's arm. Data pulls away and although Data's arm is still attached to Data, a grinning Dream Riker is now holding a "dream arm", (as if he HAD pulled the arm off) and tosses it to Dream Geordi. DREAM GEORDI Hey, thanks! Dream Geordi leaves. Beverly leaps out of her chair. BEVERLY Data! We're still in your nightmare! Data looks a bit confused. BEVERLY (continuing) Computer! End Program! COMPUTER Program ended. The bridge image fades and is replaced by the Holodeck grid. BEVERLY Do you see, Data? We were still in your nightmare, we just thought we had gotten out of it. DATA Fascinating, Doctor. Computer: exit holodeck. PICARD'S COMM VOICE Mister Data to the bridge at once. The holodeck doors open and Data and Beverly rush out. INT. ENTERPRISE BRIDGE Picard, Troi, Worf and N.D. Crewmen are present. WORF Captain, the Kitakami is firing! EXT. SPACE - THE KITAKAMI FIRES A HUGE BEAM (OPTICAL) The beam misses the Enterprise widely. INT. ENTERPRISE BRIDGE PICARD Report, Mister Worf. WORF A clean miss, but sir, if it had hit us... it would have certainly destroyed us. Data and Beverly arrive on the bridge. Data moves toward his station, Beverly moves next to Troi. PICARD Mister Data, please give me your assessment of the situation when you are able. Data, still not at his station, but eyeing the main viewscreen, has already recognized the situation from his dream. DATA Aye, sir. I believe we will find that the Kitakami's field generator is giving fluctuating readings. Picard reacts with as much puzzlement as he can spare. Behind him, Worf looks over his instruments. WORF Confirmed, sir. Picard looks at Worf and then back at Data. To him, this is miraculous, but we know better. Beverly turns to Picard. BEVERLY What's going on? PICARD Not now, Doctor. Beverly reacts with surprise. She glances around nervously to see if this bridge is real or dream. WORF Captain, energy readings from the Kitakami are consistent with a re-energizing of the weapon. PICARD Estimated time to another firing? WORF Forty-five seconds. PICARD (to Troi) If they get that ship into warp, they'll have a clear path all the way to the Neutral Zone or wherever they want to go! TROI Yes, but why haven't they been able to go to warp? WORF I recommend we open fire before they do that, Captain. DATA Captain, I have a hypothesis of a way to disable the Kitakami without allowing her to escape. PICARD Hold your fire, Mister Worf. Yes, Data? DATA I believe that the weapon's field generator is actually in a very unstable state immediately before the weapon is discharged. If we were to detonate a photon torpedo within a few planetary diameters of the ship before it fires... PICARD Mister Worf, make it so. Be ready to fire on Data's command. WORF Aye, sir. DATA Ready? WORF Ready! INT. KITAKAMI BRIDGE Alarms are clanging, red lights are flashing. Both Human One and Human Two are clearly frantic. HUMAN ONE Prepare to fire again! HUMAN TWO Try and aim a little better, will you? On my mark. HUMAN ONE Damn these tracking computers! They're completely miscalibrated! HUMAN TWO Try for a lucky shot! Three, two... INT. ENTERPRISE BRIDGE DATA Fire! EXT. SPACE (OPTICAL) The Enterprise fires a torpedo and a small explosion is seen near the Kitakami which is followed by its blue warp-drive-effect lights and running lights flickering and then going out. INT. ENTERPRISE BRIDGE DATA Energy readings minimal on the Kitakami, sir. Life support only. All weapons and shields inoperative. PICARD Excellent! Mister Worf, prepare to board the Kitakami. I believe some of her occupants will need an escort to a well-deserved stay in the brig. Data, rig a tractor beam for towing. WORF Aye, Sir! (to communicator) Security, prepare to beam stun-gas cannisters to all sections of the Kitakami. Follow with full boarding parties. SECURITY OFFICER'S COM VOICE Yes, sir! INT. KITAKAMI BRIDGE Human One and Two are dispiritedly pressing console buttons to no avail. Transporter sounds are heard, and a small smoking cannister appears. They begin coughing. HUMAN ONE Don't tell me - you forgot the filter masks. HUMAN TWO (as he collapses) Sorry... HUMAN ONE (as he also collapses) I asked you not to tell me that. INT. KITAKAMI BRIG McMurdoc and Riker are fumbling in a cabinet. They finally produce flashlights which they shine around. McMURDOC They must have finally noticed we were missing. The bridge is two levels up. The armory is on the way. Ready? A stun-gas canister beams in. McMURDOC (plaintively) Aw, don't tell me... RIKER Stun gas... McMURDOC (collapsing) I ASKED you not to tell me.... Riker also collapses. FADE TO: INT. PICARD'S READY ROOM Picard is seated at his desk. Chime sounds. PICARD Come. Data enters. PICARD Ah, Mister Data! Doctor Crusher has told me that your dream simulation actually made you think you were on the bridge? And that your dream actually helped you to determine how to defeat the Kitakami? DATA Yes, Captain. It was a singular experience. A dream within a dream, as it were. RIKER'S COM VOICE Captain... PICARD Yes, Number One. RIKER'S COM VOICE Commander McMurdoc informs me that the Kitakami is relatively undamaged, but recent events show the Borg weapon is too unstable to be useful. DATA The Federation probably does not possess the support technologies to make such a weapon feasible, Captain. It will be years before such a weapon is usable. RIKER'S COM VOICE Exactly. I'd also like to pass on Mister McMurdoc's, and my, thanks, sir. PICARD Well, we couldn't afford to lose you to the Romulans, could we? So, are you going down to Gibson's, Folly, Number One? RIKER'S COM VOICE No, sir. I have a poker game over on one-seven-three to go to. That's all the excitement I need for the next few days. Being gassed by your own ship isn't what it's cracked up to be, Captain. PICARD (smiling) Enjoy yourself, Number One. RIKER'S COM VOICE Riker out. DATA It would appear that since my dream program required much more from the computer than a normal holodeck simulation, the computer used elements from reality to enhance the simulation. Fortunately, I was able to use information obtained in my holodeck experience to solve the Kitakami problem in reality. PICARD Very fortunate, for us. So, have you come to any conclusions about your dream research? DATA Well, Captain, I have not reached any final conclusion, but I do have a rather unsettling hypothesis to work with. PICARD Unsettling? I don't understand. DATA Well, Captain, if my simulated dreams are any reflections of what my human personality might be, it would point to some darker shades of character than I thought I would possess. If I WERE to become human, I might not be the human I would like to be. PICARD Mister Data, trying to BECOME the person we would like to be is what being human is all about. Data pauses, considers. If he has a "so there IS hope" expression, he uses it. DATA Thank you sir! Data turns and leaves. Picard smiles. FADE OUT END OF ACT FIVE THE END

---

The views and opinions stated within this web page are those of the author or authors which wrote them and may not reflect the views and opinions of the ISP or account user which hosts the web page. The opinions may or may not be those of the Chairman of The Skeptic Tank.

Return to The Skeptic Tank's main Index page.

E-Mail Fredric L. Rice / The Skeptic Tank